I have just opened a Gallery on Imagekind, a US based print on demand service that allows you to purchase fine art prints from as little as $12.74US for prints which can be customized and ordered with millions of combinations of frames, museum quality papers, canvas types, and sizes.

Giclee Technology

Giclee is a form of fine art printing which is superior to any previous form of inkjet printing. Giclee is a French word that means a spray of liquid, which possibly derived from the word “gicleur” meaning “nozzle” or “to squirt.”

The giclee printing system allows a precise level of color representation and ImageKind offers eight different paper types and two different canvas types that are widely used in the visual art world for prints and paintings, look tremendous, and will last for years.

Examples of framed ImageKind prints:

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This is a small selection of the merchandise printed with my artwork and photography available in my giftshop at CafePress.

If you are commissioning a portrait of your favourite pet, the completed portrait can also be made available for purchase on the items in my GiftShop at CafePress at no extra charge.

Coffee Mugs and Tile Boxes

Mouse Mats and Throw Pillows

Framed Prints and Badges

Calenders and Wall Clocks

Journals and a variety of clothing styles

Click to return to my Pet Portraits & Wildlife Art Home

A variety of wall art, greeting cards and t-shirts featuring my art and photography, is also available in my RedBubble Gallery. Purchases can be made in different currencies (USD, Euro, GBP, AUD) and shipped shipped worldwide.

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animal lover,

RedBubble now offers worldwide shipping and can handle different currencies - USD, Euro, GBP, AUD!

Currently RedBubble offers giftcards, wall art including laminated prints, mounted, canvas and framed to order prints, as well as high quality t-shirts. Here are a few examples of the items that can be purchased with my artwork and photography.

Gift Cards

Laminated Prints

Framed Prints in choice of colours and styles

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Click to return to my Pet Portraits & Wildlife Art Home

To purchase a variety of wall art, greeting cards and t-shirts featuring my art and photography, Please visit my RedBubble Gallery. Purchases can be made in different currencies (USD, Euro, GBP, AUD) and shipped shipped worldwide.

A variety of wall art, gift ware and apparel featuring my artwork is available in my
GiftShop at CafePress.

RedBubble.com is a new Australian online Art Gallery and Creative Community where you can purchase high quality prints and t-shirts with artwork, photography and digital imagery submitted by a gallery full of Australian artists.

I have recently set up my own gallery at RedBubble so that I can offer prints of some of my artwork and photography for sale. I will also be able to offer prints and t-shirts (and other products as they become available) of commissioned art to my clients.

Please click here to visit my RedBubble Gallery.

I only have a couple of images available for sale right now, but will be adding more as soon as I have a chance to re-scan images at a higher resolution than I use for display on my website gallery.

At the moment it is only for deliveries within Australia, but I am sure that in time, Red Bubble will expand to include many more items that will be available for purchase worldwide.

I have contemplated opening a store at Cafepress for a long time, and once I have my RedBubble gallery up and running I will probably look into Cafepress again.

Michelle

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Pet portraits Home

I’ve managed to grab a few hours here and there to get some more work done on Poppy.

Basically just adding more thin layers and creating depth in the fur using paynes grey, ultramarine, burnt umber and some reddish brown mixes.

Also adding more thin glazes to the grass to blend the background, adding individual blades of grass and flowers stalks and a few flower buds using different greens mixed with some of the darker paint used in the dogs fur.

I’ve also started to add to the flowers to create the shadows and highlights that will give them form.  The flowers are proving to be the biggest challenge, partly because I am working from several different reference photos because I don’t know what poppies look like in detail and because none of the photos have the flowers as I want them, I am basically making it up as I go:)

In the image above, I’ve started to add the darkest paint to turn Poppy into a black dog.  The trick here is to avoid making her look like a big black blob!  The highlights in her eyes really make her come alive on the canvas.

In this last photo, Poppy is finally looking like a Black Labrador, even though she still needs a fair bit more work.  And I think she needs some liposuction on those lips, so I will have to post another update, and hopefully the final image, when she has had that necessary face lift, and had her whiskers added!

Michelle

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I have done a bit more modelling of Poppy’s face and have started on her eyes. It takes many thin glazes (layers) of paint of various shades of browns and golds to achieve the luminous liquid look of animal eyes, but having made a start on her eyes, Poppy is starting to come to life.

In this next progress shot, I have done a bit more work on the field and have started to add in the red poppy flowers. I’ve also continued with the modelling of her face and started the basic underpainting on her body. Obviously the underpainting is just blocking in shapes (shadows and lights) to create the form of her body before the detail starts to go on in the top layers. I’ve also added some purple to the paynes grey to tie the background in with the dog’s fur, to give depth to the darkest shadows and to start creating some of the red highlights that are apparent in the reference photo of the black labrador retriever that I am using. Thats a handy co-incidence that will work well to tie in the colours in the dog with the background:)

This painting is in a very, very ugly stage that seems to be lasting forever. As much as it looks like it now, this will not be an abstract painting of a dog when it is finished. LOL - at least I hope not!

I am working this painting in the same way that many oil painters use - multiple thin glazes of colour, so it is pretty time consuming. This has taken about 16 hours so far and I would say has at least that many more to go.

Please subscribe to this feed Animal Art By Michelle  if you would like to be notified when Poppy is updated.

Michelle

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This is a painting I am working on in between commissions for my own portfolio - it might seem a bit strange but I have very few pieces of my own artwork to show clients because most of the work I have done over the past few years have been sold.  Which of course is a good thing, but I would also like to enter a few competitions and can’t do that when I keep selling everything, so hopefully over the next few months I can add a few pieces (at least six) to my own collection here and there. 

I’d also like to experiment with a much looser style and try out some more landscapes if I get a chance.  To help keep me motivated to achieve these goals, I’ve joined in the Australian Art Forum’s Winter Challenge with will run from 1 May to 1 September.

It seems that most artists that paint with a high degree of realism tend to produce  pet portraits with traditional landscapes or portrait backgrounds, and those artists that paint in a bold contemporary style usually don’t paint in highly realistic detail.  I would like to pursue a slightly different direction with some of my artwork, although I don’t think I will ever move away from my realistic and ‘up close and personal’ style, I want to explore combining that with modern contemporary backgrounds.   Bright bold background colours and landscapes full of beautiful saturated colours that border on the real/surreal/hyper real.  Will it work?  Can it be done?  LOL, who knows, but I am sure it will be fun to find out:)

This one is likely to take a while to complete as I am fitting it in between commissions.  ‘Poppy’ is 16″x20″ on gallery wrapped canvas.  This is a big experiment as acrylic is a new medium that I am teaching myself how to use.  The thing I love about being self-taught is that you can try new and unusual techniques because no ‘expert’ teacher has deemed there is a right way and a wrong way. 

Personally, I think as long as you use good quality artist’s materials, you can’t go far wrong by simply experimenting to find out what works (or dosn’t) for you:)

So here goes my experiment with ‘Poppy’.  I’ve deliberately chosen to offset the black labrador to the right hand side of the canvas, and to use a landscape orientation rather than portrait.  My vision for this one is to have the dog sitting a a field of red poppies. So I have to learn how to paint flowers as well, which will be fun:)

The first image shows my sketch of the Poppy, and the beginning of the background field, which has been created with many thin glaze layers of paint which has taken about 3.5 hours so far.

The next progress shot shows how I have started to block in the main shapes (shadows and highlights) in the underpainting using various dilutions of paynes grey.

More work on the underpainting and additional glazes on the background.

Stay tuned for the next updates on Poppy!

Michelle

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This is my latest painting of a gorgeous rescue Greyhound “Teddy”.  Rendering his fur realistically was a bit of a challenge.  I will probably leave this for a few days then make some minor adjustments before varnishing it.

This one is acrylic on gallery wrapped canvas.

Michelle

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Happy New Year everyone! Wow, where has the last month gone? The rush of Christmas has come and gone and here we are already at the end of the first week of 2007.

While I havn’t managed to update this blog in the last month, I have finally had the time to add some new work to the Dog gallery and also the Photography Gallery. I quite often get asked about my techniques by other artists, and I actually managed to take some progress photos of two of the Christmas portraits that I did (the Rottweiler and the Chihuahua) and will put them togther as a work in progress type thread.

During my short break over Christmas and New year (I certainly needed it after the last minute commissions I had to finish), I had the opportunity to do several dog and cat photography sessions in the Perth area and have added a few to the photography gallery and have included a few of my favourites below.

Close-up images of animal faces, especially the eyes is a re-curring theme in both my artwork and photography.  I truly believe the eyes are the windows to the soul, and by focusing (no pun intended!) on the eyes, I think it allows the spirit and soul of the animal to shine through.

Buffy having a rest

Meesha - grey, cream and white Domestic Shorthair

Jess - Australian cattle Dog (Blue Heeler)

Tia - Up close and personal with my own dog

The one below is obviously not an animal, but I also enjoy nautre and landscape photography.  I took this one late in the evening at Roley Pools, the timing was great in as far as the golden evening light was concerned and I am quite happy with photos from that shoot.

Additional photos from these sessions can be viewed in my Photograph Gallery.

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The combination of soft pastels and velour paper is quickly becoming my preferred medium and support for animal artwork, and I thought it would be good to provide some information about pastels as a Fine Art medium.

Pastels are pure finely ground pigments that are rolled or shaped into sticks using a soft binder to hold the particles together.  The pigments used to create pastel sticks are the same pigments used to create all coloured art mediums including oil and acrylic paints.  Pastels as a Fine Art medium have been used for hundreds of years by many of the Masters, including Maurice Quentin de La Tour, Degas, Manet, Toulouse-Lautrec, Whistler, Cassatt and Matisse among many others. 

Although some people refer to them as ‘chalk’ pastels, this really is a misnomer as pastels are not anything like the chalk sticks you will find in a classroom - nor do they only come in soft light ‘pastel’ colours, they do in fact come in many vibrant colours 

According to Answers ”pigment applied with pastel does not change in colour value, the final effect can be seen immediately. Pastel remains on the surface of the paper and thus can be easily obliterated unless protected by glass or a fixative spray of glue size or gum solution. When pastel is applied in short strokes or linearly, it is usually classed as drawing; when it is rubbed, smeared, and blended to achieve painterly effects, it is often regarded as a painting medium.”

There are several types of pastels available to artists as defined by Answers:

Soft pastels — This is the most widely used form of pastel. The sticks have a higher portion of pigment and less binder, resulting in brighter colors.

Hard pastels — These have a higher portion of binder and less pigment, producing a sharp drawing material that is useful for fine details. These can be used with other pastels for drawing outlines and adding accents.

Pastel pencils — These are pencils with a pastel lead. They are useful for adding fine details.

Oil Pastels - These have a soft, buttery consistency and intense colors. They are slightly more difficult to blend than soft pastels, but do not require a fixative.

Water-soluble pastels — These are similar to soft pastels, but contain a water-soluble component, such as glycol. This allows the colors to be thinned out using a water wash.

Personally I work mostly with soft pastels, with a few hard pastels and pencils for final line work, as the softness is very suitable for creating believeable, almost touchable animal fur.

Finally, pastel artwork (with the exception of art that is mostly line work) is generally referred to as paintings rather than drawings, and due to the delicate nature of pastel paintings, it is very important that they are cared for properly and framed in the correct manner, with an acid free mat and behind glass so that they can be enjoyed for many years to come.

Hahnemuhle Pastel Paper is produced in Germany using inert synthetic fibres on an acid free backing sheet.  This beautiful paper actually feels like velour fabric, and because of the nap (long fibres) it holds most pastels very well.  Of the soft pastels that I use, I choose the harder ones (if that makes sense) as some of the more softer brands are more delicate when used on velour paper. This velour paper comes in a range of colours that are all lightfast (so they are resistant to fading) and they all have acid free backing which prevents yellowing over time.

So there you have it, pastels and velour paper, my new favourite medium and support for animal artwork!

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